You know the words: “I want to hold your hand, i want to hold your hand!” That is exactly what this documentary on The Beatles’s touring years does as it guides you through a timeline of their best albums, their international concerts and other concurrent historical events that capture the zeitgeist of the era. Not much new can be said about The Beatles: they stand out in both the annals of music history and the hearts of millions of fans, and their iconography still influences popular culture. The Beatles: Eight Days a Week – The Touring Years, however, is not encumbered by the excess of information, but provides beautiful remastered footage and photographs of the fab four building their musical repertoire, one screaming fangirl at a time.
Rachel Simon for Bustle got to interview Tim Burton for his new movie, Miss Peregrine’s Home for Peculiar Children. She asked him about diversity and this gem fell out of his mouth.
I could be here all day pointing out sexist depictions of females in film and continue to expound on the predominance of the male gaze in mainstream cinema. But I think I’ve just reached the point when it comes to stuff like this that I have to laugh because the other alternative is to cry. I have no idea what this new Jumanji reboot is going to be about, but today the powers that be released a picture with all the characters in costume. Kevin Hart looks like a boy scout, The Rock looks like The Rock but sweatier, Jack Black looks like he’s LARPing as an imperialist, and then there is Karen Gillan… Karen Gillan… Karen Gillan looking like the girl who was too cool for school in 2002, all that is missing is her tattoo choker necklace.
After the tragic death of their infant daughter, Dana (Kate Beckinsale) and David (Mel Raido) along with their young son, Lucas (Duncan Joiner) move from the city to a rustic mansion within a rural southern town. David hopes it will help Dana recover from the loss of their daughter by putting her architectural skills to use on the dilapidated estate. However, after the first night in the mansion, Dana starts to have flashbacks of the day her daughter died and visions of the mansion’s previous owners propelling Dana to the brink of insanity.
The Disappointments Room is Wentworth Miller’s second foray into screenwriting, and D.J. Caruso is no stranger to thrillers with films like Disturbia. However, this joint artistic endeavour into horror – which tries to capture the essence of films like the Babadook, The Shining, Poltergeist, and The Amityville Horror – sadly could not live up to its own expectations. Perhaps it isn’t fair to compare it to classics, but the film does not shy away from making allusions to them, and in the end it doesn’t offer up anything new or memorable.
Important: This review features some spoilers to the plot.