Judging by the internet, I’m not alone in saying that Wonder Woman has restored my faith in DC. As a fan of their animated features, especially the earlier version of the film made in 2009, I was pleasantly surprised by Gal Gadot’s portrayal of the Princess of the Amazons.
But with the film doing as well as it is, I couldn’t help but mull over how many other superheroines deserve more screentime. Too often are such characters left less fleshed out, pushed to the side, or tokenized in lieu of their male counterparts. While full-length movies and spinoffs aren’t for everyone, the following five characters definitely deserve more love. I did my best to pick a variety of girls and women who are beloved in their own right – if only a bit underused.
A whole episode about Laura Moon! Whether you read the book or not, you probably have conflicting feelings about Laura. She’s the love of Shadow’s life, but she is no saint, which this episode reaffirms.
It’s a double-post for American Gods! Episode 2’s Coming to America story introduced Anansi in a manner that doesn’t just strike a chord for black America, it’s the start of a symphony. It was raw, powerful, and true. The rest of the episode moved rather slowly, while Episode 3 had a bit more plot advancement and brought us deeper into the backstage world of the Gods.
With its official premiere on Starz last night, it’s time to review the first episode of this much-anticipated series. For fans of the book and new worshippers at the boob tube, “The Bone Orchard” does NOT disappoint. I’ll be analyzing as someone who knew the book first, so some compare/contrast is inevitable. But I welcome comments from those who are experiencing this world through the show first.
Episode spoilers are a given. Best not to read if you haven’t watched!
April 30th is almost here – the premiere of American Gods on Starz. I’ve been following the progress of the American Gods TV series since the first announcements about it. When I learned Bryan Fuller was attached to the project, I was excited, but cautiously concerned. Fuller’s NBC series Hannibal felt the ire of fans for poor treatment of its female characters. I feared that complex ladies like Laura Moon, Sam Crow, and Bilquis would be slotted into shallow stereotypes.
Instead, it looks like American Gods has taken the exact opposite road!
“Oh my god, guys, there’s this show that we’re doing and the women are allowed to be actual human beings, can you believe it?” – Emily Browning
1980: I WANT MY MTV ! 2017: I WANT MY MTV…GENDER-NEUTRAL!
Wow, turns out somebody was actually listening! In an interview with CNN, MTV’s president Chris McCarthy announced some changes to their annual Movie & TV Awards. Some new categories include “Best American Story” and “Best Fight Against the System”, but best of all, the show is doing away with gender-based categories, like “Best Actress”.
“[Today’s audience doesn’t] see those lines in the way that generations in the past have,” McCarthy said. “So we wanted to take those down. They felt really antiquated.”
And he’s right. Just recently, Billions star Asia Kate Dillon wrote to the Television Academy about such category names. Dillon articulately pointed out that if such categories mean ‘best performance by someone who identifies as this gender or that one’, then where is the room for nonbinary performers? How is someone like Dillon supposed to submit their work for Emmy consideration?
The Television Academy responded with surprising open-mindedness, saying “anyone can submit under either category for any reason.” Dillon opted for Best Actor, as the term historically refers to a performer regardless of gender. The MTV Awards is following suit: they will use ‘actor’ to refer to all candidates in a category.
MTV Awards joins The Grammys and Britain’s National Television Awards by opting for non-gendered categories. But will this be the start of a larger conversation for Hollywood?
Catch MTV’s Movie and TV Awards on Sunday, May 7th.
We’ve now arrived to a point in which I can talk about a crown jewel. Yes, many of you have wondered when I’d be bringing up this version—and now, it is time. This week on Tale As Old As Time Rewind,we’re going to examine the beloved classic version of Beauty and the Beast made in 1946. Directed by Jean Cocteau, this is considered, next to Disney’s, the most iconic rendition—and for good reason. Most other adaptations wouldn’t exist without Cocteau’s being created. And with that, we should give it some respect. So let’s take a look at what many consider to be the best version of Beauty and the Beast to ever be made.
I’m sure many of you are wondering what the heck the title of this article is alluding to – but trust me, this is gonna be a fun installment in this series. Why? BECAUSE IT IS HELLO KITTY WE’RE TALKING ABOUT! Yes, the iconic symbol of cute from Japan even took a few unique takes on the “Tale as Old as Time”. We’re going to focus on one in particular (aka the cooler version, by my standards) and see how Miss Kitty herself spins this classic story. And as promised, there are squirrels involved. Let’s jump right into this week’s Tale as Old as Time Rewind!
While a fan of romantic comedies, I’ve often felt that they, intentionally or not, tend to “lessen” the value of other kinds of relationships. I find it difficult to immerse myself in stories where the characters don’t much exist outside of the main couple and their problems. It’s just as important to recognize the love between friends and siblings, so in celebration of Valentine’s Day, I’ll be listing both platonic and romantic pairings for my Top 5 Anime Duos of 2016.
As a child of the late 80’s/90’s, I grew up with one particular version of Beauty and the Beast which stuck with me big time. It would remain not just one of my favorite adaptations, but one of my favorite TV series of all time. So welcome back to Tale as Old as Time Rewind, where this week we’re going to explore the underground caves and subway lines of a show you may have heard of. Let’s take a look at the 80’s TV version of Beauty and the Beast – starring Terminator‘s Linda Hamilton and Hellboy‘s Ron Perlman.