The Gal-lery: Elizabeth Shippen Green.

Thanks partially to the leaps and bounds in the printing industry and its technology and the sudden abundance of new periodicals, journals, books, newspapers and other printed materials in the late 19th and early 20th centuries, there existed a great need for illustrators to help fill the printed page to the brim with imagery. Many gifted women were able to rise to the occasion during the Golden Age of American illustration, and took advantage of the opportunity to demonstrate their capable skills.

One such artist was Elizabeth Shippen Green (1871-1954), whose delicate, wistful and beautiful illustrations graced the pages of Harper’s Monthly Magazine, where she became the first women staff artist back in 1901.

Elizabeth Shippen Green. Source.
Elizabeth Shippen Green. Source.

Born in 1871 in Philadelphia, Pennsylvania, where many great artists and illustrators of the time lived worked and taught, Ms. Green studied both at Drexel University and the Pennsylvania Academy of Fine Arts, where she studied under the tutelage of numerous notable artists, including Howard Pyle (Drexel) and Thomas Eakins (PAoFA). Her father had been an artist-correspondent during the Civil War and played an instrumental role in piquing his daughter’s interest in art from an early age.

Miguela, Kneeling Still, Put it to her Lips. 'The Spanish Jade,' Harper's Monthly Magazine, Sept. 1906. Source.
Miguela, Kneeling Still, Put it to her Lips. ‘The Spanish Jade,’ Harper’s Monthly Magazine, Sept. 1906. Source.

In her time at Drexel, she was commissioned at the request of Howard Pyle to create a mural to honor late artist Edwin Austin Abbey. Ms. Green teamed-up with two other notable women artists of the era, Violet Oakley and Jessie Wilcox Smith, with whom she shared a couple of productive artist-in-residences outside of Philadelphia, plus a lifelong friendship. Additionally, these three helped found The Plastic Club, initially formed as a women artists group, as there were plenty of  men’s clubs in Philadelphia; the group, which, in 1991 expanded to include men, is still active today.

Two Children Watching Clouds in a Field. Source.
Two Children Watching Clouds in a Field. Source.

Even though she eventually married educator and fellow artist Huger Elliot in 1911 and subsequently moved up to various locations in New England, back to Philadelphia, then New York City, and finally back to Philadelphia, Ms. Green maintained her career, becoming an even more prolific artist than she had been in her earlier years.

Tiphaiine la Fée, Harper's Monthly Magazine, April 1906.
Tiphaiine la Fée, Harper’s Monthly Magazine, April 1906. Source.



Waldrep, Mary Carolyn. Woman Illustrators of the Golden Age. Dover Publications Inc. 2010. Print.

A Petal from the Rose: Illustrations by Elizabeth Shippen Green. The Library of Congress. Accessed 5/23/15.

Elizabeth Shippen Green: An American Imagist. National Museum of American Illustration. Accessed 5/23/15.

What era or area of art and design would you like to see represented here? Do you have a particular artist or designer whom you positively admire? Let us know in the comments below!


2 thoughts on “The Gal-lery: Elizabeth Shippen Green.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s